Repurpose highfive camera1/1/2024 ![]() ![]() In Norway, one of my companions split boarded up and down peaks with his Camera Pod fixed to his backpack’s hipbelt, holster-style, and was able to draw his camera and capture a moment with a few seconds’ notice. It’s a hell of a lot simpler than other camera backpacks, shoulder bags, and organizing cubes with their folding Velcro dividers and magnetic access points. Beyond fabric and form, there are eight webbing loops, including one on each corner, for securing to a belt or backpack. Regular fits small mirrorless and point-and-shoot cameras, and large holds bigger mirrorless and DSLR setups. Oh, and it’s water resistant against rain and snow, too. All this is to say that the thing is lightweight-a large Camera Pod is 106 grams, slightly heavier than a stick of butter-yet extremely impact resistant. Between that and an inner lining made of an even thinner Dyneema, a layer of quarter-inch-thick closed-celled foam adds padding. The Dyneema in the Camera Pod’s composite skin is melded to a 150-denier polyester fabric to thicken it up for use outdoors. Dyneema, formerly called Cuben Fiber, is an ultra-high-molecular-weight polyethylene, essentially a super-ultralight fiber that’s 15 times stronger than steel by weight. Like the ultralight backpacks and shelters that Hyperlite is known for, the Camera Pod is made from a Dyneema composite fabric skin. (Photo: Courtesy Hyperlite Mountain Gear) I immediately noticed that two of the members of our group used the same accessory for camera carry: a compact, triangular, black pouch with a zippered top made by Hyperlite Mountain Gear called the Camera Pod (from $109). I was there with nine others to ski remote peaks and, many of us being photographers, hauling twice as many cameras as people to document the adventure. I didn’t expect to find the one above the Arctic Circle, in Norway, aboard a 90-foot fishing vessel repurposed for ferrying travelers to the remote anchorages of Senja and other nearby islands. Undaunted, I trawled Instagram to learn what other photographers were using and scoured blogs and vlogs for brands and products I might’ve overlooked. (Admittedly, these stories were as much for my own benefit as for yours.) Their insights confirmed my hunch: there are countless ways to carry a camera in the backcountry, but there is no single best way. ![]() On my quest, I interviewed professional adventure photographers like Jimmy Chin, Jeff Johnson, Savannah Cummins, and Chris Burkard about the bags, straps, and pouches they use in the field. But what I wanted most was an efficient way to carry my camera while scrambling around mountains, forests, and deserts all over the world. The addiction doesn’t end at electronics, either there’s mirrorless lenses, tripods, straps, and filters to go with it.Īs a writer and photographer in the outdoor industry, I’ve had the opportunity to test nearly every adventure-oriented camera bag you can buy. If you think ski gear is expensive, check out the prices on a decent camera setup. On ski trips, backpacking trips, and forays into foreign cities, the search for a unique photograph has often brought me to places I might not have otherwise explored, like a peak or neighborhood that wasn’t on the itinerary.Īnd like most drugs, this speedball doesn’t come cheap. If travel is a gateway drug, photography is the next hardest substance.
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